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Vinyl: $27.99 PREORDER
This album was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests & riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilisation of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.
Drift, their fifth studio album sees PIANOS BECOME THE TEETH taking another sonic step forward to craft a musical statement that truly transcends genres.
For the recording of Drift, the band took it back to basics, starting at a family-owned cabin in the woods of Virginia, that they transformed into an analog recording studio. The band lived together, recorded together and ate dinners together where they would listen to the day’s recordings, talk about them and pull them apart and reworking them, creating what may be their finest album to date.
Per front man Kyle Durfey, “Something that we really took away from this experience was just the connection we had together. We produced the record ourselves with our longtime friend/collaborator/engineer Kevin Bernsten who recorded our first two records.” The recordings that the band created using innovative recording techniques, recording 100% analog are sonically transportive and certain to mystify and inspire generations of recording artists. All the echoes were made with old echoplexes and tape delay, which made for a really organic record. With Bersten’s help the band was able to take some of the weirder and more ambitious ideas they had and turned them into reality making this a fantastic album for immersive headphone listening.
From the first-ever authorized and in-depth archive in Blondie’s history, this 4 LP black vinyl set features the very best of the outtakes and rarities from the Super Deluxe Collector’s Edition, remastered from the original analog tapes and cut at Abbey Road Studios. Included is a 112-page book featuring an exhaustive look at Blondie’s international notoriety via picture sleeves and regional pressings.
Steve Earle has been creating intimate and personal music for well over four decades now. His songwriting has wound itself along a path from Texas to Tennessee and his education came in the form of learning from the best. 2009’s Grammy-nominated record, TOWNES, was a tribute to his dear friend and mentor, Townes Van Zandt. Ten years later Earle released, GUY. An album concentrated on paying homage to the late Guy Clark and the indelible friendship that they had formed in stories told through song. 2022 welcomes the release of JERRY JEFF. A 10-song collection of songs written by the gypsy songman, Jerry Jeff Walker. Featuring hits like, “Mr. Bojangles” and “Gettin’ By”, Earle & The Dukes honor the late Texan by amplifying the concept and sound of each song with a full-band recording.
Vinyl: $48.25 PREORDER
25-year-old GRAMMY-nominated artist Marcus King prepares to release his new album, Young Blood, produced by Dan Auerbach of The Black Keys via Rick Rubin's American Recordings/Republic Records. He has toured with The Marcus King Band for over 10 years, as well as tours with Chris Stapleton, Greta Van Fleet, and Nathanial Rateliff. He’s released 3 LPs with The Marcus King Band before his GRAMMY-nominated 2021 solo debut LP, El Dorado. Indie Exclusive Yellow LP.
Brotherkenzie is the solo output from Minneapolis producer and songwriter Nathan Stocker – and, through the project, lives in the shadows, operating on the outskirts of the music industry, something he’s grown increasingly less interested in as he ages. Brotherkenzie’s music is a chasm carved from honesty and earnestness, the result teetering between catchiness and pop, but with sharp edges.
On the cover of Nathan, Stocker is about to be enveloped by an enormous black box in a deadened Minnesotan sprawl, framed by the eeriness of placid blue skies, the suggestion of a cold wind. It’s like a snapshot of calm caught in a moment before something bad happens, but you don’t know quite what that bad is yet. The looming black mass is a physical manifestation of narcissism – and Nathan is an exhaustive exploration of that. It’s an artifact of what happens when you listen to, and obey, your demons. A final look-a-round at the dirt you’ve known your whole life before descending to the eternal what-have-you.
The record is a re-introduction to Stocker’s solo output as brotherkenzie; his last release, 2020’s BIG WHAT closed the first chapter of the project, while Nathan explores the afterlife of a creative death. The 12 songs collected here are intended to signify a new brotherkenzie era: one embracing sex and heathen ideals. Even the title vies for blasphemy; Stocker’s attempt to divorce his first name from its loaded religious meaning and instead take ownership of it. It’d be easy to say it’s in response to Stocker’s deeply religious upbringing, but that’s too simple – instead, it’s an exercise in “what if’s?,” leaning into the dark side, interested in exploring what it means to be satanic without ever mentioning a devil – or any type of God, or religion – by name. Instead, Stocker wonders what happens when you die and are reborn as a demon. When you operate without goodness in mind. Is that a mode for something true? Even if it’s evil?
Stocker wrote these songs from March to November of 2020. It was isolating in the usual ways for that time, of course, but he was also juggling a number of relationships that were unhealthy for a myriad of reasons. He was stuck in a cycle, unable to escape, and every time he sat down the self-loathing and demons came out. Here he examines that self-destructive tenderness, observant of the way he was then but not fraught over it. Instead, he’s like a documentarian of trying times; of what it feels like to grow a new epidermis instead.
After a thirty eight year hiatus, the rejuvenated band have just completed putting the finishing touches to the first Altered Images music since the album “Bite” was released in 1983. It’s an upbeat and contemporary sounding album which sounds like a natural progression of the Altered Images journey and sound, all topped with the instantly recognisable vocals of Clare Grogan. The album is produced by former Altered Images band member and acclaimed producer Stephen Lironi and features 12 songs that Clare Grogan has co-written with Stephen, Bernard Butler and Bobby Bluebell. The celebrated Scottish band fronted by singer Clare Grogan started life as a post-punk band, winning Best New Group at the NME Awards before becoming one of the most recognisable pop cover stars of the 1980s with six UK top 40 hits between the years of 1981-1983, including the massive Top 10 singles “Happy Birthday” (#2), “I Could Be Happy” (#7) and “Don’t Talk To Me About Love” (#7), all lifted from their three Top 20/Top 30 albums released in the same time frame (two selling Silver).
Capitol Records Nashville presents multiplatinum hitmaker Jon Pardi's fourth studio album, Mr. Saturday Night. The 14-tracks include the singles, "Last Lonely Night," and "Fill `Er Up." Jon says about the album, "A lot of time was spent living with the songs on this record. There is more life experience on Mr. Saturday Night than any album I've released before." It was produced by Jon with Bart Butler and Ryan Gore, the same team behind his award-winning 2019 album, Heartache Medication.
Vinyl: $65.63 PREORDER
To coincide with the band celebrating their 50th anniversary this year, Roxy Music’s career-encompassing collection from 2001 is available for the first time on vinyl. Containing all of their classic singles including “More Than This,” “Jealous Guy,” “Love Is the Drug,” “Virginia Plain,” and classic album cuts, it’s a definitive testament to one of the most influential and daring artist catalogs of all time. This beautifully presented 2 LP set includes enhanced artwork and full song lyrics.
Revealer is full of confessions, intimations, and hard truths. It's a warts-and-all self-portrait of a young artist who is full of doubt and uncertainty, yet bursting with exciting ideas about music and life; who has numerous GRAMMY nominations but still feels like she has far to go; who turns those misgivings into songs that are confident in their idiosyncrasies. It's a rumination on music as a vehicle for revelations, what's gained and what's lost when you put words to your innermost feelings.
Vinyl: $31.98 PREORDER
In the kitchen of the Byron Bay home of Winston McCall stands a refrigerator, adorned on one side by a quote from Tom Waits: “I want beautiful melodies telling me terrible things.”
This, the PARKWAY DRIVE vocalist says, is a pretty good summation of him-self. It holds true, too, as one of the guiding principles behind Darker Still, the seventh full-length album to be born of this picturesque and serene corner of north-eastern NSW, Australia, and the defining musical statement to date from one of modern metal’s most revered bands.
Darker Still, McCall says, is the vision he and his bandmates – guitarists Jeff Ling and Luke Kilpatrick, bassist Jia O’Connor and drummer Ben Gordon – have held in their mind’s eye since a misfit group of friends first convened in their parents’ basements and backyards in 2003. The journey to reach this moment has seen Parkway evolve from metal underdogs to festival-headlining behemoth, off the back of close to 20 gruelling years, six critically and commercially acclaimed studio albums (all of which achieving Gold status in their home nation), three documentaries, one live album, and many, many thousands of shows.
While Darker Still remains irrefutably PARKWAY DRIVE, it finds the band sonically standing shoulder to shoulder with rock and metal’s greats – Metallica, Pantera, Machine Head, Guns N’ Roses – as much as it does their metalcore contemporaries. “I wanted a classic guitar tone for this record,” explains Ling, who credits much of his inspiration to the connection his riffs have with a crowd in a live setting.
Emerging from the darkness of the past few years, this is the true face of PARKWAY DRIVE: redefined and resolute, focused in mind and defiant in spirit.
Vinyl: $53.39 PREORDER
Live recording from the soundboard during the Alive II tour at Veterans Memorial Auditorium in Des Moines, IA, on November 29, 1977. Features “Let Me Go, Rock ‘N’ Roll,” “Beth,” and more performed by Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss.
Vinyl: $25.74 PREORDER
Charley Crockett will release his latest album The Man From Waco on September 9th via Son of Davy/Thirty Tigers. Crockett wrote or co-wrote all 14 songs on the album, and in many ways The Man From Waco is the purest distillation of his artistry to date. What started as a demo session with producer Bruce Robison at Robison’s studio The Bunker outside Austin, TX turned into the first album Crockett has ever made with his band The Blue Drifters backing him from start to finish. Mostly first takes with only a handful of overdubs, The Man From Waco finds Crockett refining his singular “Gulf & Western” sound which continues to captivate an ever-growing legion of fans.
“I just wanted an honest partnership: do it at your place, live to tape, everybody in the room,” Crockett says of the recording experience, and Robison was happy to accommodate. “The magic is in the performances on that tape. That’s what Bruce wanted to do, that’s what I wanted to do. When we were done, I said ‘these are masters, not demos.’”
There’s a loose narrative thread that ties the album together, but at the center of The Man From Waco is Crockett, who continues to trust his instincts and carve out his own singular space. Eschewing the ever-growing siren song of major labels and GRAMMY-winning producers, Crockett is forging ahead as a mostly DIY artist, calling his own shots and giving himself the space to strive for greatness on his own terms.
“Everybody was telling me: ‘go right, go right, go right,’” says Crockett. “I went left. I had to hold on to what has gotten me this far.”
The Man From Waco will be in a record store near you on September 9th on CD, Vinyl, and an indie record store exclusive edition featuring alternate album artwork.
“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.”
Vinyl: $33.45 PREORDER
"Welcome To My World" is a collection of some of Daniel's most-beloved songs and is now available on vinyl for the very first time. These are the songs that built the legend...a must-have for the legion of devoted Daniel Johnston Fans as well as the perfect introduction for new listeners. The LP includes previously unheard sonic surprises.
Little Big Town is set to release their brand-new studio album, Mr. Sun, on September 16, 2022. This is their 10th studio album and first new music in over 2 years. It features their latest single, “Hell Yeah.” Little Big Town first entered the music scene more than 20 years ago. The band’s breakthrough albums, Tornado and Pain Killer, produced multiple #1 singles, including “Pontoon,” “Tornado,” and “Day Drinking,” as well as 2015’s history-making, best-selling country single of the year, “Girl Crush.” Their 2017 release, The Breaker, debuted at #1 on the Billboard Country Albums chart and #4 on the Billboard 200 to critical acclaim. “Wine, Beer, Whiskey,” was the latest from their self-produced 9th studio album, Nightfall, which also reached the top of the Billboard Country Albums chart and has garnered over 316 million global streams.
Created during the pandemic lockdown, The Trouble with Fever, co-produced with her husband, Patrick Carney, is Branch's fourth solo album and follows her critically acclaimed 2017 album, Hopeless Romantic. The time at home gave Branch the opportunity to stretch herself creatively. She says: "The album began during the 2020 lockdown, while Patrick and I were here at home in Nashville. I didn’t realize I was making a record at first — it was more just for our own sanity, living in a house with a toddler, getting time together to play music and screw around in the studio. I had some unfinished songs that I’d started during the Hopeless Romantic recordings that I wanted to revisit and finish."
Vinyl: $38.98 PREORDER
The best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that, which is one of many reasons why the group’s new album, Wilderness of Mirrors, feels so aptly named.
Indeed, in the five years since the release of the band’s prior album, Death Song, and the two-plus years spent working on Wilderness of Mirrors, pandemics, political tumult and the ongoing devastation of the environment have provided ample fodder for the Black Angels’ signature sonic approach. If the group’s members were terrified as they honed new music heading into an election year, they realized they didn’t even know how scary things could still get.
So, they looked inward, focusing on both their ongoing creative and musical development as well as their own struggles amid the external chaos. Wilderness of Mirrors hits even more close to home, as the group recorded solely in the friendly confines of Austin for the first time in more than a decade and entrusted co-production duties to its longtime front-of-house engineer, Brett Orrison.
Vinyl: $63.76 PREORDER
On September 15, 1957, John Coltrane went into Rudy Van Gelder's living room studio in Hackensack, New Jersey and recorded his first great masterpiece: Blue Train. It would be the legendary saxophonist's sole album as a leader for Blue Note, a locomotive five-track album fueled by the bluesy title track that featured a dynamic six-piece band with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. To mark the 65th anniversary of the album's recording, Blue Train will be released in two special editions as part of Blue Note's acclaimed Tone Poet Audiophile Vinyl Reissue Series: a 1-LP mono pressing of the original album and a 2-LP stereo pressing of Blue Train: The Complete Masters which includes a second disc of alternate and incomplete takes, four of which have never been released before, and none of which have been available previously on vinyl. The 2-LP set comes with a bound booklet featuring session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn.
Both Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in deluxe gatefold tip-on jackets.
- 180g Vinyl
- Double LP
- Second LP of Alternate & Incomplete Takes - First Time on Vinyl
- Four Previously Unreleased Tracks
- Bound Booklet - Session Photos by Francis Wolff & Essay by Coltrane Expert Ashley Kahn
- Tone Poet Audiophile Vinyl Reissue Series
- Mastered by Kevin Gray at Cohearent Audio
- Mastered from Original Analog Master Tapes
- Produced by Joe Harley
- Pressed at RTI
- Deluxe Gatefold Tip-On Jacket
- Tone Poet Audiophile Vinyl Reissue Series.
- Mastered by Kevin Gray at Cohearent Audio.
- Mastered Directly from the Original Analog Master Tapes!
- Pressed At RTI.
Philly Joe Jones
Crazy Times is the brand-new studio album from Sammy Hagar & The Circle – Sammy Hagar (vocals), Michael Anthony (bass), Jason Bonham (drums/percussion), Vic Johnson (guitars). Featuring the title track, "Father Time," "Funky Feng Shui," and more.
Forty years after the Summer of Love (and 30 years after the Summer of Hate), MGMT is celebrating the grand re-opening of the third eye of the world with Oracular Spectacular, an enigmatic and prophetic collection of hallucinatory sounds and hook-riddled Pop tones for the new millennium.
MGMT is: Andrew Vanwyngarden and Ben Goldwasser, two psychic pilgrims whose paths first intersected in the green pastures of Wesleyan University in Middletown, Connecticut, circa 2002. The pair was drawn to the music of other duos and found themselves incorporating the implications of the hallucinatory power-twee of the Incredible String Band, the roaring subway minimalist Electronica of Suicide, the silky Pop-Soul of Hall & Oates, the pulsing narcotic trance of Spacemen 3, the avant-garde Industrial romanticism of Royal Trux and much more into the constantly evolving sounds of MGMT.
Grammy-nominated blues, soul and Americana singer is revered worldwide for her defiant music and fire-breathing performances. Done Come Too Far continues Shemekia's riveting, clear-eyed testimony about our troubled world and the blessings that keep hope alive. The new album is again produced by Will Kimbrough, and an all-star supporting cast includes slide guitar whiz Sonny Landreth, Hill Country blues great Cedric Burnside and Hi Rhythm Section organist Charles Hodges. Done Come Too Far is another exhilarating Shemekia Copeland showcase, as her rousing vocals bring the heat in an infectious array of muscular rockers, stomping blues, swampy soul and heartbreaking ballads. Intense new originals make up most of the tracks and spirited versions of songs by Ray Wylie Hubbard and her father, Johnny Copeland, fit right into the mix.
Magnetically energetic and eternally hopeful, Dayglow (the project of Austin, TX based Sloan Struble) excels in creating catchy, carefully crafted, effervescent indie pop. His home-recorded 2018 debut album Fuzzybrain featured the Platinum Certified single “Can I Call You Tonight?”, which went on to be hailed as 2020’s biggest independent alternative hit. Following up with his sophomore album Harmony House in 2021, Dayglow generated a mountain of indie buzz and critical acclaim anchored by lead single "Close To You". Now, after racking up over a billion streams and selling out headline tours around the world, Dayglow returns with his third album People In Motion. Fun and colorful, People In Motion meditates on the ideas of commitment, inner peace, and movement, while inviting the listener to the dance floor to leave the chaos and noise of our current culture behind.
“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.” With the help of collaborators such as Mike Patton (vocals), Jennifer Charles (vocals) and Kid Koala (turntables), Merriweather serves as your personal guide to the sensual side of life, painting a satirical, darkly funny portrait of love and sex with left-field hip-hop and instrumentals as only he can do.
It’s impossible to describe Action Bronson in a way he hasn’t already thought of. First and foremost though, Action Bronson is a principled MC, a Queens legend respected for his idiosyncratic pen and vivid raps, now a decade into his career and still deepening his skillset. “TRUST WHEN I SAY IT AIN’T SAFE FOR ANY OF THESE ANIMALS THE ANCIENT APEX PREDATOR IS BACK ON THE PROWL.” – ACTION BRONSON
A new studio album of songs written, recorded and produced by visionary musician and artist BRIAN ENO – featuring his vocals on 8 of the 10 recordings.
FOREVERANDEVERNOMORE is Eno’s first studio album in six years and features appearances from longstanding collaborators Leo Abrahams, Roger Eno and Peter Chilvers, alongside Cecily Eno, Clodagh Simonds, Darla Eno and Jon Hopkins.
The album includes studio recordings of “There Were Bells” and “Garden Of Stars,” compositions that Eno penned to perform as part of his first live performance in 11 years at the Acropolis back in August 2021, it also includes “Making Gardens Out Of Silence” that features as part of the ongoing Serpentine interdisciplinary program, BACK TO EARTH.
PROCEEDS TO BENEFIT THE UKRAINE HUMANITARIAN RELIEF FUND
Pink Floyd will release two physical versions of their first newly recorded music in over 25 years, ‘Hey Hey Rise Up’. The single, which was initially released digitally in April in support of the people of Ukraine and was #1 in 29 countries, is available on 7” and CD single. Both formats feature a newly reworked version of ‘A Great Day For Freedom’ from the band’s 1994 album, The Division Bell. The track sees David Gilmour and Nick Mason joined by long time Pink Floyd bass player Guy Pratt, with Nitin Sawhney on keyboards and a lead vocal by Andriy Khlyvnyuk of Ukrainian band Boombox. It also has vocal harmonies by Romany and David Gilmour
When the track was first recorded at the end of March, Andriy, who left his band’s US tour to return home and fight for his country, was in a hospital bed in Kyiv recovering from a shrapnel injury. Proceeds for the physical release and the ongoing digital proceeds will go to Ukraine humanitarian relief.
For this limited edition release, David Gilmour revisited The Division Bell track ‘A Great Day For Freedom’. He has reworked the song using the original tapes which, as well as David, feature Nick Mason on drums and Richard Wright on keyboards, along with backing vocals from Sam Brown, Claudia Fontaine and Durga McBroom. The artwork for the track ‘The Sunflower Look’ features a painting of the national flower of Ukraine with a twist by the Cuban artist Yosan Leon. The cover is a direct reference to the woman who was seen around the world giving sunflower seeds to Russian soldiers and telling them to carry them in their pockets, so that when they die sunflowers will grow.
One can't speak of California's famed desert rock movement without mentioning the visionary producer/musician Chris Goss. The so-called Godfather of the Joshua Tree-centered scene, Goss has produced famed and acclaimed albums by groups like Queens Of The Stone Age, Foo Fighters, Kyuss, Screaming Trees, and numerous others. Before he was known as a renowned producer though, he was the singer/guitarist and only consistent member of one of the most influential-yet-forgotten hard rock groups of all time: Masters of Reality. Masters Of Reality (Whose name was appropriately taken from a Black Sabbath song) had the distinction of being the only group signed to two different hip-hop labels of historical note: Def Jam and Delicious Vinyl. Originally label mates with Public Enemy and Slayer, Masters Of Reality's self-titled debut album was released by Def American in 1988. Two years later, Delicious Vinyl founders Matt Dike and Mike Ross, huge Masters fans, bought the band's contract from Rick Rubin and re-released the album with new cover artwork to renewed acclaim and commercial success. So many years later, Masters Of Reality's debut still feels like a hard-hitting breath of fresh air in a modern landscape of over-produced rock music
Inspired by Otis Redding and James Brown, Mickey Murray created his own groovy brand of Southern soul. His first hit, the horn-heavy “Shout Bamalama” brought him out of shoe shining obscurity and into soul stardom. Shout Bamalama and Other Super Soul Songs was originally released in 1967 and has been newly remastered to celebrate Sun Records’ 70th Anniversary. Mickey covers the full range of soul: get down with “Hit Record,” slow down with “Treat Him Right,” and rock to “East of Nowhere.”
Frank Ballard brings the party to Sun Records’ 70th Anniversary celebration with the newly remastered Rhythm Blues Party. Nicknamed “The Golden Voice,” he brings each track to life with his powerful vocals, backed by the Memphis-based Phillip Reynolds Band. Originally released in 1962 and last pressed on vinyl in 1981, Rhythm Blues Party features tracks written by Ballard, like the bluesy “I Just Can’t Help It,” the sultry “After Hours,” and the upbeat “You Gotta Learn to Rock & Roll.”
The fourth studio album by rock legend Chris Isaak was originally released in 1993 and subsequently certified gold in the US, Canada and the United Kingdom. Dedicated to the memory of sound consultant Louie Beeson, the album includes the titular track “San Francisco Days” in Isaak’s modern blues style, “Two Hearts”, “Can’t Do a Thing” and a cover of Neil Diamond’s “Solitary Man”. The lush, guitar-heavy record features James Calvin Wilsey, Rowland Salley, Danny Gatton, Jeff Watson and Tom Brumley.